This here blog has served us well since April 2010, but we have now finally setup up something approaching a proper website, over at:
www.rhubarbbomb.com
We will keep this blog up as an archive, but from now on, all reviews, articles and news stories will be hosted over there.
Thanks
RB
Tuesday 18 February 2014
Thursday 13 February 2014
Pink Fur Review
Post War Glamour Girls
Pink Fur
Hide & Seek
It must have been one
of their first singles on Sturdy Records. I listened to it and I just didn't
know what to make of it. It seemed so accomplished, yet the influences (I
presumed something so accomplished must be heavily influenced) were out of my
sphere of understanding, or appreciation. So it was either great, or a rip-off,
and I couldn't tell which.
Post War Glamour Girls
have earned this debut album, something that seems to be less and less true of
bands in the DIY age. But it hasn't taken until now for me to solve the
conundrum of paragraph one. A series of increasingly confident releases, developing
their style and making themselves more accessible, yet more idiosyncratic too,
and a live show which has blossomed and felt more natural the larger the
stage has got, convinced me and many others long ago that this was a very
special band.
So this album arrives
with the correct combination of expectation, goodwill and anticipation. And in
my case, on a beautiful pink vinyl. So, sorry it took a while PWGG, but if I
was going to review this, it had to be on the finest possible format.
To cut to the chase, it
is beyond what their fans had any right to expect. They haven’t taken the easy
route of compiling together their most beloved early singles. Instead we have
something unperceivable dense, delicately constructed and brand-spankingly new.
The bottom end of
PWGG’s sound still emanates from a cauldron of pure doom, thick and rumbling
drums and prowling bass, but above that the interplay between vocalists James
Smith and Alice Scott have been developed to gorgeous effect, whilst the
guitars and structures in general have really pushed things forward, carrying
the mood from the broken euphoria of an early I Like Trains wall of sonic
assault, to a Tarrantino Western, to the internal monologues of the clients at
the worst strip club you’ve never stepped inside. The trips and turns are expertly crafted. It doesn’t waste time trying to flow. The music just 'does itself' to
you, for want of a more elegant phrase.
This density /
intensity is carried through in the lyrics, and there is some kind of connected
narrative here (given nice circularity in the closing track), should you wish
to follow it. To be honest, just having a lyric sheet, which feels quite rare
nowadays, was a pleasure, as was the difference between the voice I used to read
it in my head, and the unashamedly colloquial manner with which James delvers
lines like ”use yr fuckin’ ears and listen.”
There’s more in these
ten songs (oh yeah, I’m meant to mention some aren’t I? Ok Sestra is a great place to start – and that’s probably why they put
it first. Red Terror was the single
and you can watch the video here. Black
Dolphin is a well timed and beautifully implemented wave of gently wonder
amongst the sleaze and trauma) than most bands produce in a career; in terms of
little touches, big moments and generally, seconds of brilliance that make you
stop what you are doing and pay attention. That make you glad you splashed out
for the fancy vinyl when you are a jaded review writer.
Finally, a thing I love
about Post War Glamour Girls, is how natural it all appears to come, at least
from an outsider. I think back to first seeing them on a big stage at Beacons,
and again at Wakefield Theatre for our own Long Division, and how at ease and
capable they seemed of pulling off that scale of show.
That, on this record, they
mix such ability with a heart-warming sense of righteousness and commitment to
the DIY cause is the icing on a cake that is crafted with determination,
passion and, shit, it’s got the tunes too. Pink
Fur proves it all. Give me more cake.
Dean Freeman
Wednesday 29 January 2014
Clive Smith Album Announcement
Today Rhubarb Bomb recieved a press release from Alan Lobley, regarding our former writer Clive Smith, who has not been seen since June 2013.
"Clive Smith spent so
long at the top - of his game, of the business - that many, including me,
thought he'd be there forever. Having worked together for nearly three decades
the thing I admired about him most was his unquenchable desire for recognition.
And his virtuosity as a performer and musician, of course, yet it was his
passion that will stay with me; his passion for inventing the new envelope,
pushing the blue sky and redefining the role of the entertainer in modern day Wakefield .
It feels not merely
odd, but impossible to talk of him in the past tense. Since his disappearance
in June 2013, many have made glib remarks about publicity stunts or, most
insulting of all, that he simply ran out of steam and ideas. I knew this man. I
know him still and this is simply not his style. He was a man of great style.
Clive Smith was a
superstar, yet I don't believe he received the recognition he deserved, let
alone craved. I still meet people who haven't heard of him, as crazy as that
sounds.
So, I collected together
a huge archive of notebooks and unfinished recordings and set to work
constructing an album I felt represented the great man I knew. Using his notes,
I contacted people he admired and respected to help finish these songs. I shall
release one a month, along with notes, where possible for the duration of 2014
in order to celebrate one of the greatest visionaries, musicians, philosophers,
lyricists, theorists and lovers (so I’m told) of the 20th and 21st centuries.
Please, enjoy.
Alan Lobley
Manager, Tour Manager,
Accountant and Chiropractor to Clive Smith"
We believe the first song from the record will be released on Friday. Alan now runs Clive's former Twitter account which can be found here
Thursday 23 January 2014
The Best Stuff of 2013
Already sounds really,
like, out of date doesn’t it. 2013? Who cares?
Good things happened
though, and we want them to be recognised. It will also massively help if we
decide to do another book in 2017. I can barely remember what happened last
week as it is.
So, here are this
year’s winners, as voted by the Rhubarb Bomb reading public…
Album Of The Year - Cyclone by The Michael Ainsley Band
Not a bad year for the
band. On the strength of reviews alone, they should really have had two albums
in this category. There isn’t much between them, but we chose this because it
had the song from the Long Division video on it, and it seemed you all agreed
with us too. A band with an exciting 2014 ahead of them.
Runners-Up
Creature Feature –
Piskie Sits
Moon Coastal Maine – Imp
Sometimes Lifes Cool –
Mi Mye
Single / EP Of The Year
- My Cat / Fruit by Allusondrugs
The closest fought
category this year, Allusondrugs claimed victory on the final day, by a single
vote. Wow! A band from the increasingly impressive Clue Records, they are very
much on the ascendency at the moment, and once again, we look forward to seeing
what 2014 will bring for them.
Runners-Up
19 – Narcs
Two Hearts – Tiny
Planets
Vicugna Pacos – Fur
Blend
Gig Of The Year -
Philophobia Fifth Birthday All-Dayer
With around ten bands
playing over the course of a day, it’s no wonder Philophobia ran away with this
award. It was a wonderful day, celebrating something that is very special in Wakefield , and that all
too many people take for granted. It was your kindly editor’s birthday also, so
I don’t recall how the night ended, but let’s presume it was amazing.
Runners-Up
Art Brut @ The Hop
Jamie Lockhart’s
Holiday Fundraiser (inc The Old House)
Mi Mye Album Recording
@ Long Division
Skaters (+ Blackeye,
Forever Cult & Slugs)
Festival Of The Year -
Beacons
For the second year
running Beacons takes the crown of best festival. It’s has grown massively
since its first year and continues to do so in a completely agreeable way.
Interesting line-ups, thoughtful touches to the site and great scenery conspire
to make it a wonderful experience all round.
Runners-Up
A Carefully Planned
Festival
Crooked Ways
Live At Leeds
Y01 Festival
Making Wakefield Better – Unity Hall Begins
Unity Hall may not be
opening for another 8 months, but it already has the city super-excited. Its
appearance on Calender news, reporting the official handing over of the keys to
the public co-operative that has bought the huge music venue and arts centre,
was a major turning point for the project that has already been three years in
the making.
Runners-Up
A Night Of
Enlightenment @ The Orangery
Plays & Pints
Best Rhubarb Bomb
Article - The Day The EDL Came To Town
Perhaps winning because
it was the most current, the article on the EDL’s trip to Wakefield will perhaps be the one that is
most widely useful in the future. An attempt at an honest discussion at what
the EDL could represent, followed by the sad reality clearly rang true with many
people.
Runners-Up
Another Failed Festival
Application
How I Made Diamond
Studios
Rites Of Passage:
Corporate Festivals & High Street Music Chains
Best Live Band Of The Year - Middleman
You either agree with this statement, or you've never seen them live. 2013 was another stupendously good year for the band and they put more sweat, care and tears into their gigs than anyone we know. We left with a smile on our faces (and tired legs) every single time.
Best Long Division
Performance - Post War Glamour Girls
A lovely surprise, but
a completely deserved victory for Post War Glamour Girls who performed at
Wakefield Theatre Royal for Long Division in 2013. Despite being up against
Mark E Smith of all people, the Leeds band
ended up topping the poll. Since Long Division is about celebrating supremely
talented and independently minded artists we are really chuffed that this great
band has come out on top. New album due very soon, and it is brilliant…
Runners-Up
Ed Tudor Pole
Jeffrey Lewis &
Peter Stampfel
The Fall
Too Many T's
Tru DIY award - Liam Pease Smith
2013 was a year for celebration, but it was tinged with
sadness too, as we also saw the passing of local musician, Liam Pease Smith. A
complex character, certainly, but at his heart he was a true individual and
showed no compromise in his art, or life in general. As we said in the obituary
we wrote, just the tiniest differences in an all too short life could have
resulted in something wonderful and long lasting. He is still missed, but we
salute a man who, for better or for worse, lived his art in his own individual
way. The full obituary can be read here.
Thanks to everyone who voted x
Wednesday 4 December 2013
Stuff Of The Year 2013
2013 is drawing to a
close. And all the good stuff has been released, all the good gigs have happened.
Except the Christmas themed stuff, and who cares about that, right?
Well, some less grumpy
people do, but this here blog entry is about our ‘Stuff Of The Year’ which we
did for the first time in 2012. Each category has a number of things shortlisted
by us, but ultimately it is a public vote that decides.
There aren’t any prizes
or anything. It’s something money can’t buy – huge wads of respect and kudos.
This IS Rhubarb Bomb, afterall (i.e. we’re cheap). Though I guess we'd be daft not to put the winners on at Long Division next year. Because there are no sure things in 2014, I can tell you that now.
For the albums and singles,
the rule was that it had to be something we reviewed and to be honest we’ve not
been as hot this year as before. So there are loads of great things that didn’t
make the cut because of that. But still, pretty tough choices me thinks!
Here are the categories.
Vote HERE. It only takes two seconds and it’ll mean a lot to the people
involved.
Albums
Creature Feature –
Piskie Sits (review)
Moon Coastal Maine – Imp (review)
Sometimes Lifes Cool –
Mi Mye (review)
Winner in 2012:
Midnight At The Sycamore Lounge by St Gregory Orange
Singles / EPs
My Cat / Fruit –
Allusondrugs (review)
Two Hearts – Tiny Planets (review)
Vicugna Pacos – Fur Blend (review)
Winner in 2012:
Spectemur Agendo by Various Artists (Clandestines, The Do’s, Fur Blend)
Gig
Art Brut @ The Hop
Jamie Lockhart’s
Holiday Fundraiser (inc The Old House)
Mi Mye Album Recording
@ Long Division
Philophobia Fifth
Birthday All-Dayer
Skaters (+ Blackeye,
Forever Cult & Slugs)
Winner in 2012:
Retarded Fish @ The Hop
Music Festival
A Carefully Planned
Festival
Beacons
Crooked Ways
Live At Leeds
Y01 Festival
Winner in 2012: Beacons
Making Wakefield Better
A Night Of
Enlightenment @ The Orangery
Plays & Pints
Unity Hall on Calendar
/ building begins
Winner in 2012: The
Cribs Play Wakefield Theatre
Best Rhubarb Bomb
Article
Winner in 2012: Anatomy
Of A Gig
Best Long Division
Performance
Ed Tudor Pole
Jeffrey Lewis &
Peter Stampfel
Post War Glamour Girls
The Fall
Too Many T's
And there will also be our annual ‘Tru DIY award’ which is especially
chosen by us…
Tuesday 3 December 2013
Issue 4.2
On the front is RM Hubbert who, funnily enough played Wakefield last night. In
fact it was the third time he has played Wakefield
since Issue 4.1 came out, so that has worked out quite nicely. There is a big
interview with the man himself, or more the story of us going up to Troon to
see where and how he lives just days after being awarded the accolade of ‘Best
Scottish Album 2013’.
Inside we have:
-
A great story by Anna Alpatova, who tells of her trip
from Moscow to Wakefield
to watch a band from New York
called SKATERS.
-
A heartfelt ode to the wonderful Inns Of Court pub, by
Antonia Lines
-
A musing upon the recent Will.I.Am anus scandal.
-
A ponderance upon the virtues of Glastonbury (which
slightly betrays how long in the pipeline this issue has been, but is still
great, so we kept it in) by the twin powers of Matt Abbott and Ralph Dartford
who, coincidentally, will be performing at our Christmas show on Dec 15th at The Hepworth as part of The Firm Of Poets.
-
Matt O Leary interviews Wakefield ’s only skate shop, Division 24.
-
Clive Smith’s final column, submitted the day before
his disappearance
-
An interview by Andrew Whittaker with James Atkinson of
Gentlemans Pistols
-
A new section which is called the Letter’s Page, but
actually consists of emails. But we used our skills to make them look like
letters. Roland X answers some of the more bizarre mail we receive.
-
A tiny comic strip from Japanese based Wakefieldian,
Chris Cooper
-
The official Long Division announcement.
-
And finally, the regular Roland X Follow The Drum
column talks about how, if you want to ‘make it’ in music, you need to start
putting the hours in.
Quite a bit when I list it out like that, isn’t there? So we’ll
try get it to various places. FB and Twitter are best for knowing where and
when. Enjoy, and if you don’t, send us a letter about it…
Thursday 28 November 2013
Moon Coastal Maine Review
Moon Coastal Maine
Imp
Philophobia Music
There's this villain in
the DC Universe called Doomsday. He is, like, totally indestructible. He even
kills Superman (apologies for the spoiler, readers from 1995).
Of course, Superman
doesn't stay dead, and in a later storyline, one way he defeats Doomsday is to
setup a series of teleporters on the moon; caught within the beam, he is
transported from one to the next for eternity. Because 100% of his body mass is
never present at anyone time, he can never escape.
That image comes back
to me now, as I try to review Imp's debut album. No matter which angle I
observe it from, or which expectation drives me, I simply can't see the whole
thing. It's like it is evolving before by eyes (or, in my ears). I can't decide
how I feel about it because as soon as I do, it is gone, and something else
appears.
It's a record that has
apparently been in the making for ten years; whether that means some sounds and
songs stretch that far back or they've been twiddling their thumbs for that
amount of time, I'm not sure. It is pre-dated by two excellent EPs on
Philophobia Music and a reputation as the Wakefield
bands band of choice.
Moon Coastal Maine is a tricky beast. Within its track listing is
the third Imp EP, one that follows the intricate, lively, confusing, dreamy, noodly,
fun, agonised over, free flowing Indie noise pop that genuinely turns heads
whenever they come to town.
This is what I expected
(and hoped for) from the album, and around a third of the fifteen tracks fall
comfortably into this category and are without doubt amongst their best work.
No-one else writes songs like this. And as I’ve noted before, they don’t even
feel written; they just seem to fall into place. The supreme talents of all
bands members are pushed to the fore, against sweeter than ever guitar
interplay, and the dreamy 60s girl-pop element of the vocals ridden to the max.
It’s great, unknown music, but instantly familiar.
That ten year gestation
may suggest a slow approach to writing, but as the press release states, they
have 250 songs stored up. This is where things turn slightly odd, and though
many wouldn't want Imp any other way, it may alienate potential new fans who
would adore the more classic, full band approach.
Essentially they are
created by the songwriting duo at the core of the band and amount to home
studio noodles. If these classify as 'songs' then yeah, I can easily imagine
that they have 250 stashed away.
I'm not writing for
Classic Rock Magazine here, so I'm not being sniffy about 60 second
instrumentals, or woozy soundscapes. There's some great stuff here. But it
results in an off-balance, schizophrenic album. The palette cleanser /
main course balance feels wrong, and some of it; you just wish so hard they'd
developed it, or got the rest of the band in.
Still, it does add a
greater depth to the album, if the less conventional approach is to your
liking. It is certainly a 'proper' album (trust me, those instrumentals sound
even weirder if you've got your iPod on shuffle) made to be listened to as one,
and has been crafted with care and attention to detail.
I just worry that it
isn't the strongest debut album it could have been. Do debut album's matter
anymore? Does it matter if it sells? It will be personal opinion as to
whether it strays into self indulgence or not, but it does feel a little
lacking in direction. It is unsure of itself, perhaps through trying too hard. What are Imp?
Maybe the posing of
that question is the point, and if so, fair enough. The track-listing is
tricky; perhaps a Low style two-sided
approach would have been too obvious (there are plenty of fade-outs as per the Bowie standard), but it
might have made more sense. I like to see it more like a White Album;
everything and the kitchen sink, see what you find amongst the rubble.
So, Moon Coastal Maine is not the definitive
Imp article. What debut is? Well… Yet I worry a confusing picture such as this
hinders the chances of more people hearing them. Because I REALLY want them to.
But there is so much to
search through, including the best stuff they've done, so who I am to complain?
See, see, SEE! I can’t finish this review. Because it keeps circling
around and around.
The bottom line,
literally, is that this is an ambitious album, combining the best but also most
obtuse work of a unique and visionary band that will keep you busy for months,
yet still leaves you wanting more. And is a reviewers worst headache. There.
Done. Go listen now.
Dean Freeman
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