Showing posts with label Geek Pie Records. Show all posts
Showing posts with label Geek Pie Records. Show all posts

Tuesday, 10 April 2012

"Balloons" by Balloons Review

Balloons
Balloons

Now I hate DIY usually. Okay, I’ll paint the kitchen and maybe varnish things with the old brushes I’ve got in the garage, but Geek Pie Records have something much more interesting than brushes lurking in their garage… This four track EP showcases just what fun DIY can be if you have a little imagination and some rudimentary recording gear.

I’m not sure where to start on this really, other than the fact fun oozes out of the speakers and leaves you imagining the smiles on their faces when they heard it back. The aim of this garage set up is to give local bands an opportunity to get their first recorded material captured and listened to; in that sense the four tracks on offer here for free: Hercules Hold, Earthly Powers, Superman Position and Socialising are perfect tasters of what is out there if you know where to look. Balloons are David Cooper (bass), Paul Goff (drums) and James Marsh (guitar/vocals), and while these songs aren’t especially varied there are some nicely crafted lyrics which cover an eclectic range of subjects from great Victorian inventions to intoxication and most points in between!

Don’t get me wrong, this is obviously not on a par with what recently emerged from Dave Grohl’s garage, but by the same token it is nowhere near the half arsed tat you often hear in low budget studio demos either. You can almost hear the love in this recording; the enthusiasm of all involved makes it well worth a listen, especially seeing as the price is right.

Matt Rhodie

Monday, 9 April 2012

"Life Is Rich And We Are Poor" EP Review

Life Is Rich And We Are Poor
Siobhan Reilly / The Passing Fancy
Geek Pie Records

A split release from The Passing Fancy and Siobhan Reilly, the latter of which hails from Glasgow. Her opener, Council Estate Grey, is simply beautiful. Catchy, bittersweet and instantly familiar, Reilly’s voice dances and twirls across the ever-present indie pop tightrope that so many female singers fail to negotiate (that whole quirky/ fragile/ powerful thing), the lo-fi vibe works wonderfully here and, with the simple layered backing, the production style is a strength. Her second track, Flitting creates a more serious tone; like a glimpse of a figure through fog, fleeting and beguiling, Reilly’s voice hovers above the guitar and holds your attention, as the mist clears and the song hits its stride you soar and fly on a folky magic carpet ride that is over just too soon. Siobhan Reilly is a revelation and she deserves a wide audience. DIY has never sounded so appealing!

Now, I’m sure I don’t have to tell you anything about The Passing Fancy. I’ve seen them, you’ve seen them. You know them: whimsical and fun and their two contributions to this four track are typical of their style, evoking a sort of early Housemartins eye for the everyday with a dusting of just plain silly to create bouncy, feel good fun for everyone. And since when did fun become a dirty word?

Matt Rhodie