In November, a band
called Foreigners Journey will play Wakefield .
Like a discount double DVD from Tesco's featuring the joint highlights of
Cheaper By The Dozen 2 and something with Vin Diesel in it, it's a confusingly
un-ambitious and fleetingly pleasurable prospect. Why two bands that singularly
do not have enough hits to attract passive cover band audiences, were prized
together in such a convoluted fashion is a bizarre conundrum. Two turds for the
price of one? How polished are they?
But - it is that
passive audience who count. Who are Foreigner? "I Wanna Know What Love Is" Oh yeah! Who are Journey? "Don’t Stop Believin" Oh, those
guys! In one three note blast of nothing, we have a hook, a whole career
explained. We've got you. There has to be something better. There has to be.
So the paradox of
promotion is that the more interesting an artist is, and the more complex,
diverse and indefinable their career has been, the harder it is, in this world
of 'you've got ten seconds to convince me'
faux-impossibly busy lifestyles, to make that sale.
But, given that you are
the kind of individual that has made it to the fourth paragraph of a blog
entry, I am going to presume that alongside your curiosity and tenacity, you
also have fine taste. And, that being the case, Rhubarb Bomb has something very
special lined up for you.
If Luke Haines had ever
stayed still, at any point in his career, he would be hard to define. But some
all encompassing, career covering explanation? I shall avoid bullet points.
We're not revising.
But by way of written
montage, let me give you the 'previously...' prologue, to whet your appetite.
Luke Haines appeared on
the legendary C86 cassette as a member of The Servants. His first album as The
Autuers saw him face off against Suede for the second Mercury Music Prize. The
entity christened 'Britpop' emerged from the fallout. Instead of building on
this success he ended up recording a gobsmackingly brilliant concept album
about Baader Meinhof, a bunch of German Terrorists from the 70's. The press
release included directions for making a nail-bomb. He called a National Pop
Strike, asking all pop star to down tools for a week. He received little
support, though he managed to scupper his own record, released that same week.
He created the genuine pop group Black Box Recorder. He released a Christmas
song called 'Unsolved Child Murder'. Since going solo, he has released albums
about wrestling and Rock N Roll Animals. He is dynamite for people who like to
create not quite true, but fuck it, let's go with the myth, type stories.
He's also written two
excellent memoirs and is a decent painter too.
So, y'know, it's kinda
hard for me to say "Hey, look at this video man!" because how can I
choose one thing to define all that? His 'Best-Of' is a great start, but it is
three discs long, mostly previously unreleased.
But there is the fun of
it. He's a great artist, and that makes him a great person to be a fan of.
That's a defining thing for me. Because you don't know what he is going to do
next, yet his track record suggests he has a knack of getting it right, so the
returns are worth treading the thin ice for.
Always interesting,
never obvious. That's what I like about Luke Haines, that's why I booked him
for Wakefield , and that's why you should come
and have a listen on November 27th at The Calder, The Hepworth, Wakefield . Tickets are available HERE.
*despite what I’ve just
said, here are five videos, if you have the time*
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